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Frieze: Katja Strunz
By Kristy Bell March 12, 2009 The potential effects that a change of gallery context can have on an artist’s work are always a subject of... Read more -
TATE: Standing with one's back to Utopia - Katja Strunz
By Charlotte Klonk January 1, 2009 Charlotte Klonk visits Katja Strunz in her Berlin studio and hears how the early influence of Robert Smithson and his... Read more -
BOMB Magazine: Jessica Craig-Martin
By Bob Holman April 1, 2007 The surface is gorgeous, simply gorgeous, darling! Brilliantly cibachromed, oozing color and pain, blood-glazed. Yes, the faces are cut off... Read more -
ARTFORUM: OPENINGS: KATJA STRUNZ
By Suzanne Hudson April 1, 2006 MAYBE THIS IS APOCRYPHAL and maybe it’s not: On first seeing Robert Smithson’s crystalline Untitled , 1964–65, as a student... Read more
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The New York Times: POSSESSED; Letting Fate Take the Picture
By David Colman June 29, 2003 ''WHEN I look around today, the biggest anachronism I see is pregnancy,'' Andy Warhol wrote in ''The Philosophy of Andy... Read more -
Frieze: Something Old, Something New
By Dominic Eichler April 4, 2003 The works in Katja Strunz' sparse constellations often appear to have been spared an uncertain fate or narrowly escaped a... Read more
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