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The Third Ear : NATHLIE PROVOSTY

Past exhibition
30 March - 15 May 2016
  • Press release
  • Works
  • Installation Views
  • Publications
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Press release

Nathalie Karg Gallery is pleased to present Nathlie Provosty’s first exhibition in a commercial gallery in New York. Composed of two series of paintings, the exhibition plumbs the phenomenon of visual inaudible sound. Inaudible sound is sound that humans physically respond to, although they cannot hear it. Provosty proposes that this inaudible territory parallels the unseeable areas just outside the color spectrum. Her paintings therefore utilize colors at the far reaches of the spectrum, coupled with surfaces that vibrate and disappear, activating an expanded multi-sensory experience.

 

Resisting reproducibility, the three 84 x 92-inch paintings appear, at first, to be fields of black anchored by a dipping reflective shape. The color, however, is not truly black, but rather layers of dark blue, violet, and various carbon pigments; from these sensuous surfaces, unexpected, images emerge. The smaller works (Dissonance, Assonance, Consonance, and Resonance, all 19 x 15 inches), with their saturated colors and syncopated, sometimes linguistic rhythms, add subtle textural nuance to the overall somatic experience of the exhibition. Executed with exceptional rigor and intensive craft, Provosty’s works hover between illusion and abstraction, evoking elusive fluctuations of physical, spatial, and conceptual depth.

 

Nathlie Provosty (b. 1981, Cincinnati, Ohio) is a painter living and working in Brooklyn, New York. Provosty received her MFA in 2007 from the University of Pennsylvania. Her work has been exhibited at Jablonka Maruani Mercier Gallery in Belgium; Greene Exhibitions in Los Angeles; Stefan Lundgren Gallery in Mallorca, Spain; Berthold Pott in Cologne, Germany, among others. Provosty’s works are included in the collections of the Baltimore Museum of Art, the Colby Museum of Art, the Farnsworth Museum, and the Portland Museum of Art.

Works
  • Nathlie Provosty, Resonance II, 2016
    Nathlie Provosty, Resonance II, 2016
  • Nathlie Provosty, Resonance, 2016
    Nathlie Provosty, Resonance, 2016
  • Nathlie Provosty, Twice Six, 2016
    Nathlie Provosty, Twice Six, 2016
  • Nathlie Provosty, Council, Untitled (15-56), 2015
    Nathlie Provosty, Council, Untitled (15-56), 2015
  • Nathlie Provosty, Council, Untitled (15-53), 2015
    Nathlie Provosty, Council, Untitled (15-53), 2015
  • Nathlie Provosty, Dissonance, 2016
    Nathlie Provosty, Dissonance, 2016
  • NATHLIE PROVOSTY, GILLES, 2014
    NATHLIE PROVOSTY, GILLES, 2014
  • Nathlie Provosty, Consonance II, 2016
    Nathlie Provosty, Consonance II, 2016
  • Nathlie Provosty, Consonance, 2016
    Nathlie Provosty, Consonance, 2016
  • Nathlie Provosty, Council, Untitled (15-52), 2015
    Nathlie Provosty, Council, Untitled (15-52), 2015
  • Nathlie Provosty, Assonance, 2016
    Nathlie Provosty, Assonance, 2016
Installation Views
Open a larger version of the following image in a popup: Nathlie Provosty Nathalie Karg Gallery The Third Ear Installation04
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Publications
  • Nathlie Provosty

    Nathlie Provosty

    NATHLIE PROVOSTY 2016
    Hardcover 104 pages
    Publisher: Nathalie Karg Gallery & Distanz
    ISBN: 978-3-95476-165-4
    Dimensions: 10 x 8.39 in
    Read more
News
  • Art Critical: Thank You For What Is Underneath, Nathlie Provosty

    Art Critical: Thank You For What Is Underneath, Nathlie Provosty

    Nathlie Provosty (the third ear) at Nathalie Karg Gallery May 14, 2016
    In an early episode in Balzac’s The Unknown Masterpiece, the novella’s quixotic antihero, Frenhofer, is adding masterful corrective touches to a painting by Porbus for...
    Read more
  • Hyperallergic: Paintings that Sensuously Shift in Tone and Texture

    Hyperallergic: Paintings that Sensuously Shift in Tone and Texture

    by Laila Pedro April 29, 2016
    Nathlie Provosty ’s current exhibition at Nathalie Karg Gallery , (the third ear) , is a study in the emotional, sensuous (and sensual) potential of...
    Read more
  • The New York Times: The Lower East Side as Petri Dish

    The New York Times: The Lower East Side as Petri Dish

    April 21, 2016
    NATHALIE KARG On the top floor of 291 Grand Street, Nathalie Karg , who recently relocated from the East Village, is showing abstract paintings by...
    Read more
  • Observer: 7 New York Gallery Shows You’ll Flip For This Spring

    Observer: 7 New York Gallery Shows You’ll Flip For This Spring

    New works from a Cuban, an Icelander and even a Brooklynite March 7, 2016
    Nathlie Provosty at Nathalie Karg 291 Grand Street March 30 – May 8 Abstract painting has been getting a bad rap lately thanks to the...
    Read more

Related artist

  • Nathlie Provosty

    Nathlie Provosty

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