Inspired by Futurist and Impressionist painters that came before her, BRIDGET MULLEN creates works that blur the lines between figuration and abstraction. Upon close examination of one of Mullen’s sprawling canvases, multiple figures appear to be interacting in ways that tap into our human emotions. Through her work, Mullen explores different means of connection and its vital role in our lives. Mullen is based in Brooklyn, NY.
You are part of a young generation of female artists hustling and gaining recognition in NYC. What does being a part of a strong female community mean for you?
Community is the most important part of my art making. I’ve traveled a lot over the past 4 years doing residencies and have formed strong bonds with many different groups of makers. I’m lucky that so many of those people live in NYC. To be inspired by what someone makes and to know them intellectually/emotionally is such a joy. My community takes the time to visit each other’s studios and shows and to think, talk, and write very deeply about the work we are making. It’s true my community is mostly women, but also true that some of the artists I most admire and have the most in common with don’t identify as women. One of the things I love about being a painter is the anonymity, the separation of me from the objects I make. My paintings exist independent of me and are therefore non-gendered.
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