Juxtapoz: Birthday: Bridget Mullen @ Shulamit Nazarian, Los Angeles

by Sasha Bogojev

"In Civilization and Its Discontents, Freud idealizes birth as a brief point of total oneness of the world," Brooklyn-based artist Michael Stamm stated in an essay he wrote for Bridget Mullen's solo debut which just opened at Shulamit Nazarian in LA. "Unpleasure and pain, our first and by no means last unwelcome feelings, introduce the border between ourselves and the external world." And this cosmic moment is the essence of the entire series comprising 32 iterative rectangle works which form Birthday, an exhibition that will stay on view from July 10th through August 28th.

"These 32 head-sized paintings, from the series Birthday, appear at first as compressed faces but I like to think of them as portraits of mother and child - meditations on being held," the artist stated recently about this particular body of work. In an effort to portray one of the most universal moments each of us has endured, Mullen has set obvious limitations to her work. From insisting on the vertical orientation, the intimate scale of 12 x 9 inches, to the thematic hyper focus, the Brooklyn-based painter is left with experimentation in composition, color, and paint application in order to explore and epitomize the ultimate creative act. And through her process, she proves that less is indeed more, able to turn the fairly large selection of works into an exciting presentation through which these elements come to the full light. Starting with the two symmetric forms that evoke eyes, she then proceeds to construct the rest of the scene by adding both figurative and abstract aspects. Creating the tension directly with compositional approach, but also with the contrasting of colors as well as different ways of applying paint, the pieces vary significantly in their intensity and impact. Sometimes depicting droopy, comic-like eyes, sometimes reducing them to mere dots, she seems to be exhausting the impact of pareidolia to its limitations. Often surrounding the only recognizable elements with abstract gestures, patterns, and/or shapes, Mullen is successfully conveying the surreal intensity of the transcending experience.


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July 12, 2021