Jessica Craig-Martin, “Bye Hater,” 2017.
Jessica Craig-Martin, “Bye Hater,” 2017.
Jessica Craig-Martin, “Art Supplies,” 2017.
Jessica Craig-Martin, “Champagne Army,” 2017.
Jessica Craig-Martin, “Cold Snap,” 2017.
Jessica Craig-Martin, “Carbon Copy,” 2017.
Jessica Craig-Martin, “Pink Curve,” 2017.
Jessica Craig-Martin, “Security Check,” 2017.
Jessica Craig-Martin, “Public Relations,” 2017.
Jessica Craig-Martin, “Gauze and Effect,” 2017.
Jessica Craig-Martin, “Ghost Economy,” 2017.
Jessica Craig-Martin, “This Year at Marienbad,” 2017.
Jessica Craig-Martin, “Unnatural Selection,” 2017.
Jessica Craig-Martin, “Twisted,” 2017.
Jessica Craig-Martin, “Tender Is the Night,” 2017.
Jessica Craig-Martin, “Untitled (Sudden Chill),” 2017.
Jessica Craig-Martin, “Social Security,” 2017.
Jessica Craig-Martin, “All That Glitters,” 2017.
Jessica Craig-Martin, “Under Wraps,” 2017.
Jessica Craig-Martin, “Bye Hater,” 2017.
For years now, Jessica Craig-Martin has been steadily plowing through the high-society party circuit across the world with two purposes: to photograph the A-listers and advertisers that duty requires her to at events—and to capture their naturally occuring over-the-top oddities and excess. Though her work usually ends up in the pages of magazines, including this one, it’s now also on display in “Public Relations,” her solo exhibition at New York’s Nathalie Karg Gallery, from this weekend until mid-April. Not that the gallery treatment has made her subjects any more identifiable: her latest images, all from 2017, are as tightly cropped as ever, keeping the focus on the all-too-immaculate hair and bright pink lips of the society fixtures. Witness some close encounters, here.
Nathalie Karg Gallery
127 Elizabeth Street, New York, NY, 10013
This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.