Certain artists settle easily and without trepidation into a credible style that allows them to proceed in an unencumbered, linear fashion; Sangram Majumdar is apparently not among them. A decade ago, it made sense for the critic Jennifer Samet to discuss the Kolkata-born New Yorker’s work under the rubric “painterly representation”; at that time his art was rather academic in character, with an affinity for restrained color enlivened by a sensitive touch. Fellow painter Kyle Staver noted—and not without admiration—“a stubborn and humorless aspect” to this approach. By 2013, Majumdar had mostly switched to abstraction, using planar yet complex space and a more energetic, even sometimes downright seductive palette, while still also exhibiting some realist paintings. However, one could still notice that at least a few of the ostensibly abstract pieces were based on observational experience: Take tilt, 2013, which derives from the form of a postcard rack. As far as stylistic resources go, Majumdar calls on the full panoply of classic modernism—though he insists that he can absorb anything, from Indian miniatures to video games.
ARTFORUM: Sangram Majumdar
Barry Schwabsky
Read the full article here
July 1, 2019
Nathalie Karg Gallery
Available by appointment
Info@nathaliekarg.com
Copyright © 2025 Nathalie Karg Gallery
This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.