Artworks

Joe Fyfe, Brando II, 2017

Dorian Gaudin, Chair 2 (not actual title- Dorian will send title once he decides on one), 2017

Jessica Craig-Martin, Cold Snap, 2017

Jessica Craig-Martin, Coming and Going, 2017

Paul Mpagi Sepuya, Darkroom Mirror (_2160521), 2017

Jessica Craig-Martin, Equality of Outcome, 2017

Gamaliel Rodriguez, Figure 1806, 2017

Gamaliel Rodriguez, Figure 1807, 2017

Gamaliel Rodriguez, Figure 1808, 2017

Gamaliel Rodriguez, Figure 1809, 2017

Gamaliel Rodriguez, Figure 1813, 2017

Gamaliel Rodriguez, Figure 1814, 2017

Gamaliel Rodriguez, Figure 1815, 2017

Gamaliel Rodriguez, Figure 1816, 2017

Gamaliel Rodriguez, Figure 1817, 2017

Gamaliel Rodriguez, Figure 1818, 2017

Gamaliel Rodriguez, Figure 1819, 2017

Rannva Kunoy, Gerrymandering, 2017

Jesse Mockrin, In mid-stream, 2017

Jim Drain, Jaguar, 2017

Seth Cameron, No 1, 2017

Seth Cameron, No 11, 2017

Seth Cameron, No 5, 2017

Siobhan McClure, Passage, 2017

Amir Nikravan, Rational Design (Pre-Exposure), 2017

Jessica Craig-Martin, Safe Champagne, 2017

Vera Iliatova, Sibyl's Foley, 2017

Jessica Craig-Martin, Standard Oil / Freedom Series 3B, 2017

Dorian Gaudin, This is how it starts, 2017

Jessica Craig-Martin, Warrior, 2017

Peter Barrickman, 4th Minute, 2016

Andreas Fischer, Belief that tends toward catastrophication is the interpretation of bad events in passive terms and should become the target of skepticism that challenges the validity of unrealistic interpretation, 2016

Andreas Fischer, Best behavior for a progressive outlook, 2016

Andreas Fischer, Desire was never quite absent but the main task was to make a distinction between excessive fact and signs of fulfillment, 2016

Andreas Fischer, Familiar organizing metaphors for structuring terms that remain most resolutely simplified and balanced, 2016

Gamaliel Rodriguez, Figure 1737, 2016

Nathlie Provosty, Form Forum, 2016

Nathlie Provosty, Idiophone X, 2016

Joe Fyfe, Kiss the Sky, 2016

Joe Fyfe, Les Cigales, 2016

Joe Fyfe, Mermaid from Brazil, 2016

Andreas Fischer, Most have been constructed haphazardly through improvisation and collaboration, 2016

Andreas Fischer, Nice Man in a Spot of Bother, 2016

Andreas Fischer, One ideal is a form of the other but the two are put together in such a way as to make each contingent, 2016

Nathlie Provosty, Parage, 2016

Jim Drain, Peaceable Kingdom, ant, 2016

Ann McCoy, Procession of the Invisible College, 2016

Nathlie Provosty, Resonance, 2016

Andreas Fischer, Revealing fundamental structures of actions - or how matters of concern are daily produced through fragile references, 2016

Wayne Ngan, Sculptural Vase Cast Iron, 2016

Andreas Fischer, Terms of socialization that could not be realized without thoughtful contributions and operations that require time, 2016

Andreas Fischer, Testing some questionable empirical assumptions underlying a reluctance toward reversal of initial starting points, 2016

Joe Fyfe, Untitled, 2016

Andreas Fischer, What resourceful accordingly knowledgeable hands-on experience can accomplish in complex practice, 2016

Andreas Fischer, Winter Promise (the significance of measures that could extend focus on incremental progress and increase chances of meaningful alteration), 2016