Works
  • Simon Ko, Luck Flows In All Directions, 2025
    Luck Flows In All Directions, 2025
  • Simon Ko, The Thought Never Left, 2025
    The Thought Never Left, 2025
  • Simon Ko, Calling Us, 2024
    Calling Us, 2024
  • Simon Ko, Family Owned Business, 2024
    Family Owned Business, 2024
  • Simon Ko, Nasty Habits, 2024
    Nasty Habits, 2024
  • Simon Ko, Purple Woods, 2024
    Purple Woods, 2024
  • Simon Ko, The Elusive Birds of Night, 2024
    The Elusive Birds of Night, 2024
  • Simon Ko, The Fixer, 2024
    The Fixer, 2024
  • Simon Ko, The Next Job, 2024
    The Next Job, 2024
  • Simon Ko, The Three Poets, 2024
    The Three Poets, 2024
  • Simon Ko, We Can Hardly Wait, 2024
    We Can Hardly Wait, 2024
  • Simon Ko, Adjust for brightness, 2023
    Adjust for brightness, 2023
  • Simon Ko, The flying lesson, 2023
    The flying lesson, 2023
  • Simon Ko, Lumens, 2022
    Lumens, 2022
  • Simon Ko, Night Prayers, 2022
    Night Prayers, 2022
  • Simon Ko, The Gameplan, 2022
    The Gameplan, 2022
Biography

Simon Ko is a painter currently based in New York. He received his Bachelor's degree in Fine Art from The Cooper Union in 2011, and a Master's degree in Fine Art from Yale University in 2017. 

 

Ko’s work loosely references his own personal history as he explores the complexities of human emotion. He showcases idealised or streamlined versions of connection in an effort to communicate the idiosyncrasies of loving and being loved. Ko is specifically interested by the impact of connection on the self. This emotional exchange rests in each painting’s core and, a result, encourages a certain reciprocity between the artist and the viewer. 

 

Ko’s process typically involves a mix of writing, sketching and occasionally working with a mode. His composition is defined and intentional. While his brush strokes are uncomplicated, his use of imagery is highly symbolic. Bubbles rising to the surface of the painting are memories of past connections, a flickering candle is the dying ember of a couple’s love. Such techniques allow Ko to subtly evoke a range of emotions, despite the graphic aesthetic he employs. His use of custom tools and modelling paste result in a highly textured and imperfect canvases. This stucco-esque effect is an intentional effort to mirror the imperfections and complexities of human relations, perfection is an illusion. 

 

In the past few years, Ko has participated in several exhibitions internationally including solo-exhibitions with Nathalie Karg Gallery, New York, NY; Eve Gallery, Seoul, South Korea; Pipe Gallery, Seoul, South Korea; Seojung Art - Busan, Seoul, South Korea, and group exhibitions with Galerie BHAK, Seoul, South Korea, and Galerie Dengyun, Shanghai, China. His work has been featured in various publications including Art World Magazine, CNB Korea, and Artsy. He has held a residency at the Vermont Studio Center, Johnson, VT. 

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