ADAA Fair 2026 : The Body and The Bedrock
At the ADAA Fair, Nathalie Karg Gallery will present “The Body and The Bedrock,” an exhibition exploring the intersection of geological permanence and the fragmented nature of human perception, moving beyond the scenic to explore the visceral ways in which we inhabit the world.
The presentation is anchored by a dialogue between the tactile and the elusive: from Hermine Ford’s shaped canvases, modeled after water-worn pebbles from the Nova Scotia coastline, and Sangram Majumdar’s layered, translucent compositions to Tim Wilson’s structural investigations of light, March Avery’s poetic distillations of form and Sara-Vide Ericson’s raw, bodily confrontation with the earth.
“The Body and The Bedrock” invites viewers to consider nature not as a vista to be consumed, but as an enduring, shaping presence that mirrors our own complex identities.
Featuring works by March Avery, Peter Barrickman, Sean Cavanaugh, Sara-Vide Ericson, Hermine Ford, Kerstin Hans, Vera Iliatova, Sangram Majumdar, Sarah Peters, Elsa Sahal and Tim Wilson
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March Avery, Pines of Provence, 1979 -
Peter Barrickman, Testaccio Video, 2026
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Sean Cavanaugh, Protected Gold, , 2012
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Sean Cavanaugh, Catskill Hermit, , 2011
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Sean Cavanaugh, Two Medicine Dragon, , 2010
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Sean Cavanaugh, Montreal Plumage, , 2014
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Sara-Vide Ericson, The Very North World I, 2025
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Sara-Vide Ericson, The Very North World IV, 2025
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Sara-Vide Ericson, The Very North World II, 2025
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Kerstin Hans, Untitled (NR99), 1989
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Vera Iliatova, To Fit in Dimity, 2026
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Sangram Majumdar, Agitators 1, 2026
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Sangram Majumdar, Agitators 2, 2026
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Sarah Peters, Pointer, 2026
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Sarah Peters, The Looker, 2026
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Elsa Sahal, Arise Arose Arisen 1, 2026
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Elsa Sahal, Wind Wound Wound, 2026
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Elsa Sahal, Reclyning Nude at the Beach 6, 2026
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Tim Wilson, Dining Room III, 2026
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Tim Wilson, Garden, 2026
The Body and The Bedrock
At the ADAA Fair, Nathalie Karg Gallery presents “The Body and The Bedrock,” an
exhibition exploring the intersection of geological permanence and the fragmented
nature of human perception, moving beyond the scenic to explore the visceral ways in
which we inhabit the world.
The presentation is anchored by a dialogue between the tactile and the elusive: from
Hermine Ford’s shaped canvases, modeled after water-worn pebbles from the Nova
Scotia coastline, and Sangram Majumdar’s layered, translucent compositions to Tim
Wilson’s structural investigations of light, March Avery’s poetic distillations of form and
Sara-Vide Ericson’s raw, bodily confrontation with the earth.
“The Body and The Bedrock” invites viewers to consider nature not as a vista to be
consumed, but as an enduring, shaping presence that mirrors our own complex identities.
Featuring works by March Avery, Peter Barrickman, Sean Cavanaugh, Sara-Vide
Ericson, Hermine Ford, Kerstin Hans, Vera Iliatova, Sangram Majumdar, Sarah Peters,
Elsa Sahal and Tim Wilson.
